Record Laser

How to take a contemporary look at the futuristic aesthetics of the 1980s? Record represents a balance between an update and a testimony. Not only does it take us back to a time when music was transmitted over cables and collected on shelves, it also brings this aesthetic up to date with contemporary standards of typographic design. As the process moved forward, we decided to create two distinct families: Record Laser, with its sharp, unapologetically retro-futuristic aesthetic, and Record Disc, softer, more refined and suited to a variety of applications. Certain historic fonts, ubiquitous in our cities laid the foundations of Record, specifically Antique Olive Nord by Roger Excoffon and Serpentine, by Dick Jensen.
Image Format - Johan Mossé & Quentin Berthelot
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Record Laser
Laser
Record Disc
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Regular

STEP SEQUENCER
Control voltage

Regular
55

The Minimoog (1970), a compact and yet portable synthesizer, brought analog synthesis into mainstream music, impacting rock, jazz, and pop, and becoming a staple of live performances.

Regular
35

Synth pioneers Moog and Buchla introduced modular synthesizers in the 1960s, allowing musicians to create new sounds by patching new circuits and manipulating control voltages. Starting in the 1970s, sequencers and new drum machines enabled repetitive, rhythmic patterns that became foundational in genres like electronic, dance, and brand new experimental music.

Medium
75

SOUND SCAPE
Reverb & Noise

Medium
55

Analog music machines first emerged in the early 20th century with tools like the Theremin (1920), a new instrument playable without touch, marking a leap in electronic music.

Ultra

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Medium
35

In the 1950s, tape machines truly revolutionized sound manipulation and enabled artists to loop, splice, and layer sounds in ways never before possible, sparking early experimental music. Synth pioneers Moog and Buchla introduced modular synthesizers in the 1960s, allowing musicians to create new sounds by patching new circuits and manipulating control voltages.

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Bold

CHEMICAL BROS.
Tone Generators

Bold
55

In the early 1980s, Japan’s Roland Corp released both the legendary TR808 & TB303 machines, sparking the creation of house and techno with their unmistakable, signature rhythms.

Bold
35

In Europe, Krautrock and the electronic pioneers, such as Kraftwerk and Tangerine Dream, explored synthesizers and drum machines, influencing both techno and ambient music. By the 1980s, analog synths started to face competition from digital models like Yamaha’s DX7, yet analog continued to appeal for its warmth and hands-on, and expressive sound.

Black

DRUM MACHINE
Akai MPC 2000

Black
55

The 1990s and early 2000s saw a huge resurgence of analog gear in techno, hip-hop, and EDM, with producers favoring its “retro” qualities and flavour over modern digital tool’s precision.

Ultra

SSSSS

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Black
35

Today, analog music machines still retain a cult following, with Eurorack modular synthesizers and reissued classics inspiring musicians seeking the tactile, raw feel of analog sound that they appreciate. Everybody with a major recording contract got a free Oddessy if they’d allow Arp to use their name on a user’s list. There were ARP sounds on major releases.

Ultra

FILTERS SWEEP
Circuit Bending

Ultra

RRRRR

Ultra
55

Alan R. Pearlman’s goal was to create powerful synths. From a music business standpoint, Arp was innovative in two very important ways.

Ultra
35

They released the Casio CZ series, with Phase Distortion synthesis, a new sound technology. Through out the 1980s and 1990s, Casio continued to produce a range of electronic instruments. These included synthesizers, digital pianos, and sampling keyboards.

Ultra
100

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Record represents a balance between an update and a testimony. Not only does it take us back to a time when music was transmitted over cables and collected on shelves, it also brings this aesthetic up to date with contemporary standards of typographic design.

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